ROTTENLUCK
Visible, awful, but not seen.
ROTTENLUCK
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venusmilk:

Konstantin KalinovichEx libris P. Heikkila, 1991
(source)
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nvmillustration:

Fruit. ( Eden Series )
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plasmaterial:

i’d like to thank not only god but also jesus for this milestone
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"The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful."
Milan Kundera, The Unbearable Lightness of Being
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brigitte bardot à la madrague, st-tropez, 1975.

brigitte bardot à la madrague, st-tropez, 1975.
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Peter Marlow.
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darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
darksilenceinsuburbia:

Out of the Closets, Into the Streets: Gay Liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne
1. Phillip Potter. Gay is Good,1971, printed 2014
Digital C type print on Kodak Endura Matte© Phillip Potter
 2. Phillip Potter. Queens, 1971
3. Ponch Hawkes.Gay Liberation march, Russell Street, Melbourne. Melbourne, 1973
4. Rennie Ellis.The Kiss, Gay Pride Week, Melbourne 1973. Silver gelatin photograph. © Rennie Ellis
5. Barbara Creed.Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne. Melbourne, c. 1971-73. Digital C type print on Kodak Endura Matte. © Barbara Creed
6. John Englart.Dancing with the Hare Krishnas in the Sydney Domain. Sydney, 1973.Digital C type print on Kodak Endura Matte. © John Englart
7, 8 & 9. Anonymous. Graffiti on Melbourne streets.1971-73
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letmebackinagain:

La belleza es una chispa que arde cuando, a través de la distancia de los años, de repente se tocan dos edades. Que la belleza es una ruptura de la cronología y una rebelión contra el tiempo.
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"Estoy feliz de estar contigo. Estoy feliz de que existas. Puede que te quiera. Puede que te quiera mucho. Pero quizá por eso mismo será mejor que nos quedemos tal como estamos. Puede que un hombre y una mujer estén más cerca el uno del otro cuando no viven juntos y cuando simplemente saben que existen y que están agradecidos por existir y por saber el uno del otro. Y sólo con esto les basta para ser felices. Te agradezco, te agradezco que existas."
Milan Kundera
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